Asian cinemas are connected to global networks and participate in producing international film history while at the same time influenced and engaged by spatial, cultural, social and political transformations. This interdisciplinary study forwards a productive pairing of Asian cinemas and space, where space is used as a discursive tool to understand cinemas of Asia. Concentratin...(展开全部)

Landscape has long had a submerged presence within anthropology, both as a framing device which informs the way the anthropologist brings his or her study into "view", and as the meaning imputed by local people to their cultural and physical surroundings. A principal aim of this volume follows from these interconnected ways of considering landscape: the conventional, Western n...(展开全部)

Landscape has long had a submerged presence within anthropology, both as a framing device which informs the way the anthropologist brings his or her study into "view", and as the meaning imputed by local people to their cultural and physical surroundings. A principal aim of this volume follows from these interconnected ways of considering landscape: the conventional, Western n...(展开全部)

Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the As...(展开全部)

Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the As...(展开全部)

In their depiction of the city, movies carry a multiplicity of means through which to reveal elements of culture, architecture, and history. Projected Cities surveys the connections between cinematic images and cities, with particular focus on the urban cinema cultures of Europe and Japan. It explores urban film imagery at moments of turmoil and experimentation, and assesses th...(展开全部)

"The Geopolitical Aesthetic is a dazzling... distillation and application of the theoretical system he first presented in The Political Unconscious (1981)." The San Francisco Bay Guardian Taking contemporary films from the United States, Russia, Taiwan, France, and the Philippines, The Geopolitical Aesthetic offers a reading of some of the most interesting films of the last dec...(展开全部)